Neil Young Tour Dates Coming in February
(Click photo to enlarge)
Labels: archives, band, concert, festival, neil young, reviews, stream, tour
|
|
|
An unofficial news blog for Neil Young fans from Thrasher's Wheat with concert and album updates, reviews, analysis, and other Rock & Roll ramblings. Separating the wheat from the chaff since 1996.
Labels: archives, band, concert, festival, neil young, reviews, stream, tour
Throughout Neil’s career he was borrowed elements from other songs that he has written.
This isn’t a criticism, but simply an observation. And I have always enjoyed his occasional songs with familiar themes and chord changes. It’s kind of like his signature in a way, and this new track has several different reference points from his past.
I don’t watch music videos when previewing a new song. Because I’d rather let the song stand on its own merits. And I really like the fact that the lyrics aren’t telling you what to think, it’s just observing what’s coming. And the riff is definitely catchy.
I’m looking forward to hearing the whole album in context with the other songs. Neil has always been a great sequencer of his albums, and depending on where each song lives on the album, tends to enhance both the song before and, the song after. This is one of many reasons why I love listening to complete albums. The artists lays out the tracks with a very specific theme, or intention.
But for now; judging from this one song, I’m actually pretty excited about this new album. So hopefully we won’t have to wait too long to hear the whole thing…… soon.
Peace to all……..and here’s hoping for the best, but expecting the worst. 🙏
“Without deviation from the norm, progress is impossible “
Frank Zappa
"A gem cannot be polished without friction, nor a man perfected without trials".
Seneca (ancient Roman philosopher)
Earlier, we said that at the risk of saying "told you so", Here Comes "The Big Shift" and the corruption of mainstream media is blatant and dangerous, it is sadly ironic that this all comes so late in the game for those who should have been paying attention. But, better late than never. (More on the intersectionality of politics, art and the media.)
Labels: #BigShift, album, band, concert, neil young, Official Music Video, songs, tour, video
Labels: #BigShift, album, band, concert, neil young, songs, tour
"Due to an error in the information received, I had decided to not play the Glastonbury Festival, which I always have loved.Happily, the festival is now back on our itinerary and we look forward to playing. Hope to see you there!"
"No review’s going to do this justice, so let’s just get this out the way. Neil Young was just phenomenal.
Michael Eavis has tried and failed four times previously to get Neil Young to play at his little party down on Worthy Farm dating right back to the days when local stores would put ‘No Hippies Allowed’ on their windows.
Why Old Farmer Eavis has been so determined to book him is apparent from the moment Neil Young hits the stage. There’s no farting about, his trusty scarred Gibson Les Paul, Old Black, comes straight out and he clangs straight into My My Hey Hey. Seldom has the lyric “better to burn out than fade away” been more pertinent than the day after the death of a King. But also because at this festival of legends there are some here who have faded beyond repair. What this set proved more than anything is that Neil Young isn’t among their number."
Labels: concert, festival, neil young, reviews, stream
On this date, Wednesday evening, January 13, 1971, Neil Young made his return to Winnipeg. It had been six years since he last graced a stage there and many old friends and fans came out to welcome him home. He had left Winnipeg years earlier as a rock 'n' roller with a dream; now he had returned as rock's premier singer/songwriter. It had been quite a journey.
With barely any advertising, ticket demand at the Centennial Concert Hall was so great that two shows were scheduled that evening [I attended both]. The word was out that Neil was back. Everyone entering the hall was checked for cameras and tape recorders. Neil did not like to be distracted by camera flashes concertgoers were informed as they shuffled through the turnstiles.
Appearing alone on the stark stage with just acoustic guitar and piano, lumberjack outfit and back brace that kept him stiffly in a wooden-backed chair, Neil proceeded to mesmerize the capacity crowd. Bent over his acoustic guitar, head down, eyes closed, long, straight hair draping past his shoulders, Neil spoke rarely, choosing, like he always had, to let his music speak for him. The odd reference was made to being home and to people in the crowd. "There's a guy out there in the audience who used to tune my guitar," he offered. The intensity of his performance led those in the audience to feel that they were in the presence not of a local boy-made-good, but a world-class singer/songwriter. It was a magical night.
Walking onstage without introduction and offering no greetings, Neil opened the show with the Buffalo Springfield's On the Way Home. It seemed a fitting number for the tour. Throughout the concert, Neil interspersed the familiar with new material, much of it written recently on his ranch. Some, like Heart of Gold, Old Man, and A Man Needs a Maid, appeared a year later on his HARVEST album. Others, like See the Sky About to Rain, Dance, Dance, Dance, and Bad Fog of Loneliness would wait much longer to appear on vinyl. For the Winnipeg show, Neil added Clancy to unrestrained applause.
Afterwards, Neil hosted a party for family and friends at the posh, downtown Winnipeg Inn. The general theme of the conversations floating about the room focused on how each individual present just knew that Neil would make it someday. Neil mingled among the patrons, hugging, shaking hands and reminiscing. As is the case with these post-concert soirees, the room was well represented by hangers-on, the radio and record company set, most of whom didn't know Neil's name from Adam two years earlier. Neil was disappointed that many of the former Squires were not present. In particular, he had wanted to see Allan Bates and Ken Smyth. "I was looking for them but I didn't find them," recalls Neil. "You never realize at the time that you'll never see people again." Asked years later about his absence that night, Ken replies, "We weren't sure if he would remember us." Pam Smith adds, "I was afraid that my life would seem so trivial compared to who he was now and all the things he had done. He was somebody and we were all still just here."
Neil spent some time the next day visiting a few old haunts but the hectic pace of the tour forced Neil to move on. His brief stop in his old hometown had been a personal triumph and a kind of reconciliation with his past.
The Journey thru The Past tour would bring Neil to Massey Hall, Toronto's premier concert venue, on January 19 for another triumphant homecoming and a reconciliation with his father. During the Massey Hall concert, Neil acknowledged his father's presence in the audience. He also sang Old Man which Scott Young heard as a note of reconciliation. The Massey Hall concert was recorded and released decades later as part of his Neil Young Archives series.
And thanks to those of you who said to go ahead with this (you know who you are) and today's part goes like this: THE KEEPER OF THE FLAME: there is rock. There is roll. And there is Neil Young.
More on "Neil Young: Don't Be Denied - The Canadian Years" by John Einarson @ Neil Young Book Reviews.
Labels: book, canada, neil young, review